Batch Review - Dinzu Artefacts
If anything could be done to further cement the viscerally tangible aesthetic of Dinzu Artefacts, it would be the release of this October batch, replete with more found sound, field recordings, and tape manipulations than you can wrap an ear around.
Dominique Vaccaro -Close Distances
Close Distances is a slow ride on a conveyor belt made of burlap, teeth and oversized rubber bands. Each audio offering here is a hyper-aware focus on looped chatterings, clatterings, and spatterings that attains a hauntingly organic feel despite probably being recorded in a collapsing button factory. Vaccaro is able to take 'ordinary' sounds of everyday objects and turn them into abstract structures of layered sound that fool the ear and tickle the spine.
Ludwig Berger & Veronika Ehrensperger -The Capacity of Things to Act
This tension-laden piece is full of terrifying stillness and malevolent fury, allegedly recorded with a 'prepared harp' which is a fancy musical term that really means 'interdimensional helicopter made of nightmares and lies.' What begins as warmly vibrating drones quickly descends into dark and reverberating explorations of the rusted clockwork that operates purgatory. The sound on each of these tracks is dense, and heavily weighted with colorful swirls of shadowy energy, nimbly leaping to action and then falling dormant.
Weston Olencki & Max Murray - Gram
Treat yourself to this careful examination of pneumatic systems. Metal tunnels expand and contract, hissing with powerful surges of air. Valves squeak. Networks of pipes breathe with cycles of pressurizations, filled with rushing gusts of harnessed air energy. Tension builds as rivited seams of squealing conduits are tested by atmospheres of gushing power. Effort of breath is pushed through shaped brass, alloy tubes create bubbling sound in an exchange of expelled energy for sound output.
These three tapes are sold out, but digital editions are still available.